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Explore the beating heart of Japan's tea scene.
THE POT HAD been held above the cup for what seemed like an eternity, the intervals between droplets lengthening until I was sure no more tea would appear. By this point in the service — or should I say performance — each beautiful vessel and gesture had accrued meaning, until those final drops brought me, surprisingly, to tears. Experiencing the culmination of over 1,000 years of tea in Kyoto was an exquisite synergy of the aesthetic and the spiritual, the ritual and the sensual. Anything I’d ever brewed before enjoying the organically farmed, single-origin sencha selected from the 12 cultivars at Tearoom Tōka was just a sketch. Drinking tea in Kyoto is to inhabit the masterpiece while it’s being painted around you.
Kyoto prefecture is both the birthplace and the reigning center of Japanese tea. Since 1191, when a Buddhist monk planted the seeds he’d been gifted from China around the Kozanji temple, the region — particularly around the city of Uji, just south of Kyoto — has produced Japan’s best teas. “Uji is considered the Burgundy of Japanese tea,” says Zach Mangan, the co-founder of Kettl, a New York-based tea company and the author of “Stories of Japanese Tea.” “In addition to its impact on the tea ceremony, Uji has shaped much of modern Japanese tea: The techniques for producing sencha, gyokuro, and matcha developed here” — all of which he sources for Kettl.
Today in Kyoto, you can experience a tea ceremony while staying at the Hiiragiya ryokan (a traditional Japanese inn), immerse yourself in a young artist’s interpretation of tea at Rust Sabi on the dramatically designed top floor of a hidden clothing store, order a pot of nicha (bean tea) to accompany smoky kyobancha (green tea) cookies at the stylish Café Malda, and get what Mangan says is the city’s best matcha soft serve at Marukyu Koyamaen’s Nishinotoin branch. You can take a train a few stops to Uji and visit Tsuen, Japan’s oldest teahouse. And of course, you can buy much of what you see to bring home.
However modern or casual the presentation may be at some teahouses, the roots are always visible. No wonder that when Copenhagen’s Noma had a pop-up in Kyoto for 10 weeks in the spring of 2023, they spent over a year sourcing teas from the region. According to Carolyne Lane, who heads the restaurant’s infusions, Noma worked with a multigenerational tea farm just outside the city to develop a special harvest, which was blended with spring plum blossom and caterpillar fungus, while another farmer provided them with every part of a tree, from the bark to the flower to the leaf, for another of the nine infusions on offer. And that didn’t include the tea used in the food itself.
To book the tea service at Tearoom Tōka is to commit yourself to a journey — a highly choreographed performance of subtle gestures that culminates not only in an unforgettable cup of green tea but a shift in perception when it comes to the power of ritual to transform your daily life. Created by Kyoto-born culinary consultant Fumie Okumura and her husband, the gallerist Elmar Weinmayr, the tearoom is a highly considered addition to the front of a house built for a painter a century ago. Six chairs line a counter carved from native horse chestnut, behind which the wall’s blue fabric fades to gray. Servers heat a formidable brass kettle and present each guest with vials of tea to sniff like perfume. The winelike descriptions on the tea menu skew toward connoisseurs, heralding, say, a hybrid grown without fertilizer, or “the first harvest of the asatsuyu cultivar originating in Uji that has almost disappeared from the market,” which tastes of muscat. After experiencing this slow-motion ballet, the desire to take home the tools, tastes, and movements nearly overwhelms. Luckily, the artisan-crafted teaware is available for sale in the adjoining gallery. You didn’t know you needed a wooden tea canister with craftsmanship so refined over centuries that, when the seams are aligned, the lid glides down to close itself with barely a push.
The Tōka style, says Okumura, has little to do with traditional tea ceremonies, which only use matcha. Instead, it was designed to reflect how her husband and she brew tea at home, where, she explains, “We are strongly focused on brewing the tea according to the individuality of the tea leaves. This is because the appeal of organically grown tea is that you can clearly feel the terroir. We want people to know that they can enjoy the differences in tea just like they do with wine.” As for that flourish with the final drops that had me in tears, she says simply, “The last drops of the first infusion are the most delicious ones.”
Ippodo is the perfect teahouse for those craving a simpler introduction to Kyoto teas. The seventh-generation tea merchant, helmed by the Watanabe family, has its flagship on one of the city’s best streets for antiques. At the front counter, you can shop for their green-tea varietals: matcha, sencha, fine gyokuro, and roasted hōjicha, and the Kyoto favorite: iribancha, also known as kyobancha, which is a powerfully flavored tea made from smoking the clippings of tea trees, branches and all. Ippodo also sells mugicha, or roasted barley tea, one of the only caffeine-free teas hearty enough to stand up to milk and sugar. In the adjoining Kaboku Tearoom, those teas are served with a twist. “We’ll provide simple guidance, while the customers brew the teas themselves!” says Watanabe. “There was a perception of tea as an expensive thing served to you at hotels and lounges by kimono-clad waitresses. Our idea was different: We wanted to simply focus on the taste of the tea itself.”
Watanabe’s goal is to teach people the pleasure of enjoying tea in their everyday lives so they can bring these lessons home. Guests to the spare space are guided through the first steep, with a timer placed on the table, and served lovely seasonal wagashi, or sweets. For the subsequent steeps, the guests are on their own, tasting how the teas evolve. “I hope that they are able to have little revelations about tea, like, ‘Huh, so that’s what tea really tastes like?’” says Watanabe. Matcha is also an education, served in two styles: First is the intensely thick, ceremonial-style koicha. Then the server adds water to the last sip and whisks it into a thinner usucha-style matcha.
The real discovery here is going through the flavor looking-glass that is gyokuro. The green tea is costly and highly prized thanks to the way it is farmed; the plants are shaded with straw for 20 days before the first delicate spring buds are harvested. The buildup of chlorophyll results in a flavor that is shockingly savory, until it mellows into light sweetness. Being shown how to get the water temperature and timing just right is essential to enjoying this tea. (Purists will want to fill up a few bottles with Kyoto’s soft water, said to be some of Japan’s best, from one of the city’s many wells, for future brewing.)
Tea at Farmoon has no educational or ritualized element. Only two teas are offered — one black, one green. What’s being celebrated here is the beauty of the moment. Artist-turned-chef Masayo Funakoshi’s restaurant and food lab, a short walk from Ginkakuji Temple, is a witchy room of wonders, layered with beautiful ceramics and objects from around the world. To sit at the stone-and-wood counter on a Friday or Saturday morning is to be fully present to the surrounding beauty, including the elegantly carved marble mortar and pestle or the cook’s mise en place as she serves the day’s set lunch from a stove facing a garden courtyard. Funakoshi, who was born in Tokyo, was drawn to open a restaurant in seasonally minded Kyoto after working in New York at Dan Barber’s Blue Hill. Her appreciation of seasonal produce extends to her sweets, such as a breathtaking carrot cake covered with ruby petals of shaved beet, while her flaky, exquisitely buttery take on the mooncake is filled with sweetened local beans. The teas are sourced from biodynamic farmers in the region: the black a light, honeyed brew; the sencha, picked just last spring, as fresh-tasting as grass. One leaves Farmoon not only with a few bags of tea but with a desire to create a space in which one can pause in beauty.
Those who love tea return from Kyoto with a suitcase filled with teas and ceramics. But they also bring with them a deeper understanding of what tea is and how it can be refined in the home. Think of how many cups you’ll steep in your lifetime. There’s much pleasure in waiting for those last few drops.
A spare, modern space serving a few teas alongside vegan sweets and natural wine.
The late artist Taiga Takahashi created a modern standing tearoom with small bites, teas, and tea cocktails.
In business since 1628, the fabled wagashi maker serves tea near the Imperial Palace.
Try the chewy warabi mochi at the Gion branch of this classic matcha purveyor.
A teahouse in the dramatic Maruyama Park, an area known for its cherry blossoms.
A spare, modern space serving a few teas alongside vegan sweets and natural wine.
Try the chewy warabi mochi at the Gion branch of this classic matcha purveyor.
The late artist Taiga Takahashi created a modern standing tearoom with small bites, teas, and tea cocktails.
A teahouse in the dramatic Maruyama Park, an area known for its cherry blossoms.
In business since 1628, the fabled wagashi maker serves tea near the Imperial Palace.
This beautifully immersive countryside retreat is just 15 minutes from the city. Their tea service is, of course, exquisite.
Tadao Ando designed this art-filled new favorite, the sister property of the Villa La Coste in Provence.
At this fabled ryokan, established in 1818, tea is an integral part of your stay. You can also arrange to experience a tea ceremony, as Charlie Chaplin did here on his honeymoon.
Open since 1705, the design and service at this recently renovated ryokan are so flawless, you’ll understand why Steve Jobs was a regular. Reservations by phone or fax only.
This beautifully immersive countryside retreat is just 15 minutes from the city. Their tea service is, of course, exquisite.
At this fabled ryokan, established in 1818, tea is an integral part of your stay. You can also arrange to experience a tea ceremony, as Charlie Chaplin did here on his honeymoon.
Tadao Ando designed this art-filled new favorite, the sister property of the Villa La Coste in Provence.
Open since 1705, the design and service at this recently renovated ryokan are so flawless, you’ll understand why Steve Jobs was a regular. Reservations by phone or fax only.
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Christine Muhlke is the founder of the culinary consultancy Bureau X and the author of “Signature Dishes That Matter.” Her last story for Departures was on modern Tokyo cuisine.
Timothée Lambrecq is a Tokyo-based French photographer and filmmaker. He has teamed up with the creative industry’s main- stays, including Studio Olafur Eliasson, Björk and has been published in medias such as BBC News, i-D, GQ, WIRED JP, Transit, Financial Times.
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