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Pablo Picasso is one of the most recognized names in art history, but it wasn't always so. In 1900, the then-unknown 19-year-old Picasso moved to Paris and discovered the works of Cézanne, Gauguin and Van Gogh. He would spend the next seven years there, coming into his own as an artist. That period of his life and work is the focus of "Picasso in Paris, 1900-1907," on view at the Van Gogh Museum in Amsterdam through May 29. Guest-curated by art historian (and Picasso expert) Marilyn McCully and organized jointly with the Museu Picasso in Barcelona—with loans from Paris's Centre Pompidou, the Metropolitan Museum of Art and the Guggenheim in New York—the show demonstrates how the artist's style was influenced by his time in the City of Light, from the death of his good friend Carles Casagemas in 1901 (which marked the start of his Blue Period) to his friendship with writers Max Jacobs and Guillaume Apollinaire, who piqued his interest in harlequins. Every Friday evening during the exhibition's run, dancers from the company Dansgroep Amsterdam perform Nomade, a site-specific work that celebrates Picasso's love of the circus, alongside his paintings. Picasso is also the topic of a lecture series taking place the first Sunday of each month. On March 6, literary historian Peter Read will examine the artistic relationship between Picasso and the poets in his circle of friends. At 7 Paulus Potterstraat; 31-20/570-5200;

Photo Self-portrait with a palette, 1906 , Philadelphia Museum of Art. A. E. Gallatin Collection, c/o Pictoright Amsterdam 2011 Pablo Picasso


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